The Cambridge Companion to the Musical（I***N=9780521680844） pdf 夸克云 tct umd 下载 2025 azw3 kindle

Tracing the development of the musical on both Broadway and in

London's West End, this updated Companion continues to provide a

broad and thorough overview of one of the liveliest and most

popular forms of musical performance. Ordered chronologically,

essays cover from the American musical of the nineteenth century

through to the most recent producti***, and the book also includes

key information on singers, audience, critical reception, and

traditi***. All of the chapters from the first edition remain –

several in substantially updated forms – and five completely new

chapters have been added, covering: ethnic musicals in the United

States; the European musical; Broadway musicals in revival and on

television; the most recent shows; and a case study of the creation

of the popular show Wicked based on interviews with its creators.

The Companion also includes an extensive bibliography and

p***ographs from key producti***.

Preface

Part I. Adaptati*** and Transformati***: Before 1940

　1. American musical theatre before the twentieth century Katherine

K. Preston

　2. Non-English language musical theatre in North America John

Koegel

　3. Birth pangs, growing pains and sibling rivalry: musical theatre

in New York, 1900–1920 Orly Leah Krasner

　4. American and British operetta in the 1920s: romance, nostalgia

and adventure William A. Everett

　5. Images of African Americans: African-American musical theatre,

Show Boat and P***y and Bess John Graziano

　6. The melody (and the words) linger on: American musical comedies

of the 1920s and 1930s Geoffrey Block

Part II. Maturati*** and Formulati***: 1940 to 1970

　7. 'We said we wouldn't look back': British musical theatre,

1935–1960 John Snelson

　8. The coming of the musical play: Rodgers and Hammerstein Ann

Sears

　9. The successors of Rodgers and Hammerstein from the 1940s to the

1960s Thomas L. Riis and Ann Sears

　10. Musical sophistication on Broadway: Kurt Weill and Leonard

Bernstein Bruce D. McClung and Paul R. Laird

Part III. Evoluti*** and Integrati***: After 1970

　11. Stephen Sondheim and the musical of the outsider Jim

Lovensheimer

　12. Choreographers, directors and the fully integrated musical

Paul R. Laird

　13. From Hair to Rent: is 'rock' a four-lette***ord on Broadway?

Scott Warfield

　14. The megamusical: the creation, internationalization, and

impact of a genre Paul Prece and William A. Everett

　15. The European musical Judith Sebesta

　16. New horiz***: the musical at the dawn of the twenty-first

century Bud Coleman

Part IV. Legacies and Transformati***

　17. Why do they start to sing and dance all of a sudden? Examining

the film musical Graham Wood

　18. Revisiting classic musicals: revivals, film, and television

and recordings Jessica Sternfeld

　19. The creation of a Broadway musical: Stephen Schwartz, Winnie

Holzman, and Wicked Paul Laird.

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书籍介绍

Containing five completely new chapters on topics including the European musical and the creation of the show Wicked, this updated Companion continues to provide a thorough and accessible overview of one of the liveliest and most popular forms of musical performance.