Ariadne auf Naxos in Full Score 施特劳斯《阿里阿德涅在纳克索斯岛上》全谱 pdf 夸克云 tct umd 下载 2025 azw3 kindle

Richard Strauss (1864-1949) first wrote Ariadne auf Naxos as an interlude to be

performed with Moli~re's play Le Bourgeois gentilhomme, and it was presented in

Stuttgart in that form in 1912. Several years later, with his collaborator Hugo von Hoffmansthal, Strauss expanded the work into the full-length opera we know today.

This glorious new Ariadne auf Naxos was first presented at the Vienna State Opera in October 1916. The story artfully intermingles backstage comedy, the lofty emoti*** of Greek mythology and the merry pranks of a troupe of commedia　dell'arte players. Strauss endowed these antic proceedings with a luminous score　that combines music of great satiric wit with breathtaking flights of lyricism. Today Ariadne auf Naxos is one of Richard Strauss's most highly regarded operas, and is frequently performed on the world's stages. It is reprinted here from the　definitive full-score edition published in Berlin by Adolph Fiirstner following the opera's 1916 premiere.

Glossary of German Musical Terms

Dedication and Title

Characters

Instrumentation

Prologue [Vorspiel]

Opera

Overture

Schlaift sie? (Naiad, Dryad, Echo)

Achl Wo war ich? (Ariadne)

　Wie jung und sch6n und mafllos traurig!(Harlequin, Zerbinetta,Truffaldin)

　Ein Sch6nes war (Ariadne)

　Sie lebt hier ganz allein (Ariadne, Harlequin, Zerbinetta, 　Scaramuccio,Truffaldin)

　Lieben, Hassen, Hoffen, Zagen (Harlequin, Echo, Zerbinetta)

　Es gibt ein Reich (Ariadne)

　Die Dame gibt mit trfibem Sinn (Brighella, Scaramuccio, Harlequin,Truffaldin, 　Zerbinetta)

　Recitative and Aria

　Groflmaichtige Prinzessin (Zerbinetta)

　Noch glaub' ich dem einen ganz mich geh6rend (Zerbinetta)

　Hfibsch gepredigt (Harlequin, Zerbinetta)

　Eine St6rrische zu tr6sten (Brighella, Scaramuccio, Harlequin,Truffald;n, Zerbinetta)

　Mach ich ihn auf diese neidig (Zerbinetta, Bfighella, Scaramuccio,Truffaldin)

　Hand und Lippe, Mund und Hand! (Zerbinetta, Harlequin, Brighella,Scaramuccio, Truffaldin)

Scene

　Ein sch6nes Wunder! (Naiad, Dryad, Echo)

　Circe, Circe, kannst du mich h6ren? (Bacchus, Ariadne, Naiad, Echo,Dryad)

　Theseus! Nein, nein! (Ariadne)

　Ich grfilBe dich (Ariadne, Bacchus)

　Du! Alles du! (Bacchus)

　Was hangt von mir in deinem Arm? (Ariadne, Naiad, Echo, Dryad,Zerbinetta)

　Deiner hab ich um alles bedurft! (Bacchus, Ariadne)

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书籍介绍

One of the composer’s most highly regarded operas, with a libretto by Hugo von Hoffmansthal that artfully intermingles backstage comedy, the lofty emoti*** of Greek mythology and the merry pranks of a troupe of commedia dell’arte players. Strauss endowed these antic proceedings with a luminous score that combines music of great satiric wit with breathtaking flights of lyricism. Reprinted from the definitive full-score edition published by Adolph Furstner following the opera’s 1916 premiere at the Vienna State Opera.