Six Masses in Full Score 莫扎特6大弥撒曲全谱 pdf 夸克云 tct umd 下载 2025 azw3 kindle

Mozart was hardly a religious man, notwithstanding his time in the employ of the Archbishop of Salzburg, but his settings of the Mass, however mercenary the conditi*** of their composition, still resonate with a deep spirituality. This Dover edition provides six settings in the order in which they were composed (between 1774 and 1783): the Missa Brevis in F Major, K.192/186F; the Missa Longa in C Major, K.262/246A; the Missa Brevis in C Major, K.258; the "Coronation" mass in C Major, K.317; the Missa Solemnis in C Major, K.337; and the Mass in C Minor, K.427/417A. Dover editi***, which are reprints of out-of-copyright volumes originally issued by other publishers, are invaluable for observing how Mozart c***tructed these compositi***. Because they're in full score and are thus difficult to realize on the piano or ***an, the compositi*** are less useful to the average working musician who wants to perform the work in question. They are also apt to be short on English translati***; happily, the words of the Mass are both standard and easy to find elsewhere.

MASS (MISSA BREVIS) IN F MAIOR, K. 192/186F (1774)

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

MASS (MISSA LONGA) IN C MAJOR, K. 262/246A (1775)

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

MASS (MISSA BREVIS) IN C MAJOR, K. 258 (1776)

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

MASS (MISSA) IN C MAJOR ("CORONATION"), K. 317 (1779)

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

MASS (MISSA SOLEMNIS) IN C MAJOR, K. 337 (1780)

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

MASS (MISSA) IN C MINOR, K. 427/417A (1783)

Kyrie

Gloria

Laudamus te

Gratias

Domine

Qui tollis

Quoniam

Jesu Christe

Cum sancto spiritu

Credo

Et incarnatus est

Sanctus

Benedictus

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书籍介绍

The composer’s most-admired Masses, among them the moving "Coronation" Mass in C Major, composed in Salzburg in 1779, and the great Mass in C Minor, which Mozart wrote at the time of his marriage in 1782. Composed in the symphonic-operatic style typical of the late 18th century, and scored for chorus, solo voices and orchestra, they are reprinted from the authoritative edition published by Breitkopf & Härtel. Translati*** of texts. Lists of instruments.